Kansas City, Missouri – the home of bebop jazz and the self-proclaimed “Barbecue Capital of the World” – also has some of the most LGBTQ+-friendly laws in the country, according to the Human Rights Campaign (HRC). For the third consecutive year, HRC gave Kansas City a perfect 100 on its Municipal Equality Index, which measures LGBTQ+ equality in municipal laws, policies, and services. Residents have been working for LGBTQ+ equality for years and made major progress after the city’s LGBTQ Commission was created in 2020.
The commission’s current chair, a queer Black man named Justice Horn, was deeply involved in the fight to establish the commission and has spent much of the last year working to protect LGBTQ+ and trans rights across the region.
Related:
A model for the nation
March 31, 2023: Justice Horn at the National World War Museum for Kansas City’s first Trans Day of Visibility event. Provided by Justice Horn.
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Horn is young and charismatic, with an infectious laugh and a sense of humor that puts you at ease. He’s quick to praise other activists and organizers for their work and continuously highlights the role of the Kansas City community in making change possible.
Earlier this year, Kansas City became a sanctuary city for gender-affirming care, after passing a resolution saying officials would not enforce state laws targeting trans people. Horn says he wrote the resolution himself, though he couldn’t stop himself from reflecting the victory back to the community at large.
The idea came after a BIPOC and trans-led organization called Transformationsled a town hall. Horn tells LGBTQ Nation the event fueled him to look at ordinances from Minneapolis and Seattle to find the best way to protect trans and LGBTQ+ people in Kansas City. “Gender affirming care is health care access. It is life saving care access,” he explains. “It’s both health care access and not complying with state agencies to target trans folks and care providers.”
The sanctuary resolution went through the normal process and came up for a vote before the city council.
“The community came out, and I thank them for that,” Horn says. On the same day it passed, the county prosecutor issued a statement in support, saying she would “seek to protect [trans people]” rather than criminalize them. A few weeks later, the Kansas City Police Chief said in a statement that a state law restricting access to gender-affirming care was “outside the jurisdiction” of the KCPD, and they would not try to enforce it.
“I think a lot of credit comes to Councilwoman Bough or myself,” Horn says, referencing Councilwoman Andrea Bough, who introduced the resolution, “But if not for the sheer force of this community coming out – I think that’s why the dominoes fell. Because people pushed for this to happen. Without a doubt, it’s a victory. We have folks across the nation reaching out, asking how we did this.”
Leading with humility
April 19, 2023: Justice Horn at the ceremony where the county executive signed the conversion therapy ban ordinance into law. Provided by Justice Horn.
In the last few months, Horn has spoken with officials in Lawrence, Kansas, which passed its own sanctuary ordinance over the summer; St. Louis, MO, where he says they are exploring their own sanctuary ordinance and creating a St. Louis LGBTQ+ Commission; and Springfield, MO, where they are trying to become an equality city under the Municipal Equality Index. He has also continued working with his own Kansas City government to pass a hate crimes ordinance.
“[Justice Horn] has single-handedly, I think, worked harder than anyone in City Hall on LGBTQ issues,” Merrique Jenson, a trans woman of color and activist in Kansas City, tells LGBTQ Nation. Jenson, the founder of Transformations, says she first worked with Horn approximately four years ago, and at first, she was not impressed.
“I always tell people, when I first met him, I didn’t like him,” she says. “You know, he was young and he was a go-getter. There’s a lot of younger activists who get in the work, and they just start barreling forward with what they think is needed and don’t take the time to ask what’s going on in the community or who has been doing the organizing, or what’s the history behind different issues,” she explains.
Jenson’s opinion started to change after Horn began to reveal his humility. It was after Kansas City had passed a resolution declaring it would recognize the Trans Day of Visibility for the first time, and she was slated to be the only trans activist to be honored that day. She wasn’t comfortable with that because she knew there were trans women and activists who had been doing the work for longer than she had. So she spoke to Horn about her worries.
“Justice said, ‘Yeah, I want to make sure, if this is the first time that the city is recognizing Trans Day of Visibility and trans activists, that we’re doing it right,’” she says. His openness to the conversation led her to broach another piece of the resolution.
“Somebody had actually put Justice’s name on the resolution, and I said “Hey, you know, I think you’re great. I don’t think your name has to be on this resolution recognizing trans people,” she tells us. “And Justice was like ‘Oh, yeah, I totally agree. Like, just take that off.’”
“You know, there was some humility involved,” she continues. “He leaned into it. You know, I’m a seasoned organizer. I’ve been doing this for over 20 years. I was very impressed to see him be willing to do that.”
That humility still shows up in Horn’s work today. At the start of the year, Jenson called Horn to talk about how the media was covering anti-trans legislation in Missouri. “I remember calling Justice and I was like, ‘I’m so sick of seeing, across the state, everyone who’s been interviewed, and who’s talking about trans rights, are cisgender people,’” she says. According to Jenson, Horn then started directing interview requests to trans women of color in the community. “He was de-centering himself out of those conversations,” she says.
Horn is keenly aware of the importance of letting oppressed groups speak for themselves. “I primarily identify as Black, although my dad is half Black and Indigenous. My mom is white and Polynesian,” he says. Horn looks up to his parents, who have been involved in his advocacy since the beginning. He also keeps a photo of Bayard Rustin, the Black gay civil rights activist and close ally of Martin Luther King Jr., in his office.
“I’m grateful I get to sit in so many communities because I don’t get bogged down on things,” he says. “My very existence as four ethnicities, being a young person and being LGBTQ – I fit in many groups. I like to build coalitions and consensus. I think the oppressor’s plan is to keep us divided, to keep us fighting over crumbs.”
An obligation to fight
March 11, 2023: Justice Horn joins a group of drag queens at the “All the colors of queerness” event at the University of Missouri-Kansas City. Horn was the keynote speaker.
Horn describes himself as a fighter, saying it’s a skill he learned as an NCAA wrestler. He says he is usually fighting “someone who is trying to take our rights, attack kiddos, or alienate trans people, or ban drag.” His first experience in advocacy was defending trans athletes while he was in college.
“I was actually competing in South Dakota when the state legislature – well before the current conversation – introduced a trans sports ban,” he recalls. “That was my first instance where I really made a decision. Do I just hunker down? Or do I watch out for other people who are queer, trans, who want to play sports at all levels, especially kids, and sympathize and advocate for them?” He decided to go to the state legislature and testify against the bill, and LGBTQ+ activists stopped it from passing.
The scene repeated itself this year when Horn went to the Missouri state legislature in January, where he testified, he explains, “as lead opposition expert for Missouri’s trans sports ban.” Somewhat ironically, he was honored by the Missouri House of Representatives for his work on human rights the following day. “They were fine with me being a gay man fighting for gay rights,” he laughed, “but God forbid I speak up for the trans folks and the trans kids and their right to make health care decisions.”
Horn says he fights for trans rights because he sees the parallels between the fight for trans equality and the historic fight for gay equality. “They’re using the same playbook against our trans brothers and sisters,” he explains. “They’re groomers, they shouldn’t be in our classrooms. They shouldn’t be around kids. What did they say about us [gay men] in the 90s?”
“I think as allies, especially as gay men and the LGBTQ community, we should be one of their strongest advocates. We’re part of their community.”
Horn doesn’t just direct interview requests to trans women of color. He makes sure the LGBTQ Commission is an effective tool for change. “One thing I can say is we don’t just do Pride flags around City Hall and crosswalks,” he says of the commission. “We advance policy. We expand visibility and we ensure that folks know that there are fighters for them. That they don’t ever have to suffer alone.”
“I can feel it around me. Energy. So many different types of energy,” DC Comics’ Jules Jourdain notices as yellow, orange, and pink vibrations envelop him on a street corner, only visible thanks to their special powers.
“I still look the same on the outside,” Jules considers. Even though he’s gaining a reputation as the new superhero Circuit Breaker, the trans and nonbinary character (he/they) doesn’t yet know how to control the overwhelming power coursing through his body — it mostly just makes him feel isolated, scared, and dangerous.
Luckily, another well-known DC Comics superhero, The Flash, arrives and helps Circuit Breaker use his powers to control time and space. This isn’t the mainstream version of The Flash that most people know from old comics, TV, and film. They’re Jess Chambers, a non-binary variant of the well-known hero, just one of the many queer superhero variants that exist in the DC Comics multiverse.
Jourdain explains their trouble to The Flash: “Life or death… change or stasis… control or submission… man or woman. Thinking in binaries always feels limiting to me,” he says. The Flash encourages him not to overthink it, but to trust his intuition and let his power lead him from the inside.
Finally, having mastered his powers, The Flash takes him to a dance club. There, Circuit Breaker dances shirtless alongside his leather-clad friends — happy for the first time since coming out as a superhero. There, Jourdain realizes, “With the death of the old comes a chance at the new.”
In the real world, conservatives tell queer youth like Jourdain that they’re mentally ill and that books about their experiences “sexualize” and “indoctrinate”other kids just by existing.
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Censors have long accused comic books of corrupting young people. American psychiatrist Fredric Wertham’s 1954 book Seduction of the Innocent, which blamed comic books for causing juvenile delinquency, resulted in a moral panic that compelled publishers to establish the self-censoring Comics Code Authority (CCA). The CCA forbade comics from any negative depictions of government as well as depictions of “gore,” “nudity,” “profanity,” or “sex perversion.”
Individuals who seldom encounter LGBTQ+ people or queer stories may interpret inclusive comics as indoctrination, finding it hard to “embrace what they don’t see,” gay comic book and young adult writer Rex Ogle told LGBTQ Nation. “[These people] lash out. And books are an easy target.”
If young readers and free-speech advocates are holding out for a hero, DC Comics, one of the United States’ oldest and largest comic book publishers, might just be the streetwise Hercules they need. In the past year, the powerhouse publisher behind such iconic heroes as Superman, Batman, and Wonder Woman has quietly stood behind and even increased its LGBTQ+ content.
Over the past several years, DC Comics has used its deep multiverse to introduce queer and gender-swapped variants of longtime characters like Superman (Jon Kent), Green Lantern (Sojourner Mullein), Aquaman (Jackson Hyde), and the Flash (Jess Chambers), as well as introducing new LGBTQ+ characters like Galaxy, Xanthe Zhou, and Circuit Breaker. Additionally, DC Comics’ multiverse sometimes results in different individuals assuming the same superhero identities on different timelines or universes, such as when Damien Wayne and Tim Drake both fight crime as Batman’s sidekick, Robin.
In June 2023, the company released a slew of new and re-issued material as part of its Pride Month offerings, including DC Pride 2023, its third annual Pride-themed anthology of new material. Two other releases – DC Pride: The New Generation and DC Pride: Through The Years – contain landmark queer-themed work with most of the writing and artwork by LGBTQ+ creators. The diversity of voices and visual styles make a strong case for the form – with its marriage of words and images – as a riveting place to discover contemporary queer storytelling.
“DC Pride: The New Generation.” Image courtesy of DC Comics.“DC Pride 2023.” Image courtesy of DC Comics.
DC Comics’ continued production of queer content feels especially important in an era when several large corporations have reconsidered (or outright scaled back) their outward commitments to LGBTQ+ communities in response to conservative boycotts and media pressure seeking to make LGBTQ+-allyship “toxic” to companies’ brands.
DC Comics’ releases provide a powerful reminder that comic book characters reflect more than just corporate trademarks. Superheroes can serve as symbols to help readers understand abstract concepts like justice, empathy, dignity, and diversity. And who doesn’t want to see themselves – or someone like them – as the hero of the story? For most of these narratives, representation is just the start. Some contain LGBTQ+ characters fighting bigotry, while others show queer heroes finding community in a classic team-up. For many younger characters, coming to terms with their powers draws a relatable parallel to the exploration of sexual and gender identity.
Young queer people often find agency and comfort in these dynamic and colorful stories, especially since they don’t always feel supported in their homes, schools, offline, and online communities. According to Dr. Jonah DeChants, a research scientist at The Trevor Project, “Recent political attacks aimed at transgender and nonbinary youth have not only threatened their access to health care, support systems, and affirming spaces at school, they’ve also negatively impacted their mental health.”
In addition to inspiring young people, some of DC Comics’’ recent LGBTQ+ stories also have a broader cultural impact. Some right past wrongs by giving killed, neglected, and forgotten characters a second chance. Others feature tributes to recently deceased LGBTQ+ pioneers of superhero storytelling, like gay actor Kevin Conway and transgender author and activist Rachel Pollack.
These themes explore what it means to be queer in a quarrelsome world and how real-life super-queeroes can survive, thrive, and cultivate their unique abilities and identities to become heroes in their stories.
Redefining ‘Justice for All’
DC Comics As Robin sulks during a Pride parade, the bisexual caped crusader Superman (Jon Kent) kisses his gay journalist boyfriend Jay Nakamura.
In addition to the 500+ anti-LGBTQ+ bills introduced at state and local levels during the 2023 legislative session, reported hate crimes based on gender and sexual sexuality have steadily increased since 2014, rising by 70% between 2020-2021.
Phil Jimenez, one of the first out gay comic book writers and artists at DC Comics, in his introduction to DC Pride 2023, questions how to position anti-LGBTQ+ narratives in Superman or Wonder Woman’s universe. How would established queer heroes, anti-heroes, and villains respond to such attacks? Would pursuing “justice for all” seem like activism in that world or “just the right thing to do”?
Several writers in the DC Pride releases tackle this question by telling stories about the symbolic importance of having publicly out LGBTQ+ superheroes.
In “Super Pride (originally published in 2022), Jon Kent (Superman’s son) and Robin (Damien Wayne, Batman’s son) attend their first Pride march.
Robin prepares for the parade by bringing smoke bombs, electrified netting, and electromagnetic pulse generators because a community under political attack is “vulnerable to literal attack,” he argues.
On the other hand, Jon attends the parade in his Superman outfit but with a cape of different Pride flags. He says the iconic “S” shield symbolizes the hope and the possibility of making the world a better place. But for today, he tells his boyfriend, “I want [Pride] to mean that I see you. That I am you. That there’s no wrong way to be yourself.”
With that encouragement, Jon flies above the Pride-going crowd and creates a rainbow. Nick Robles’ artwork and Triona Tree Farrell’s vibrant color palette make the moment pop with joy.
Though endearing, the interaction almost feels like it comes from another era. In its annual crime report for 2022, the FBI noted a 19% increase in anti-LGBTQ+ incidents compared to 2021. Anti-transgender bias crimes increased by 35% overall. It’s no wonder that the Human Rights Campaign (HRC) declared a state of emergency for LGBTQ+ Americans during Pride Month last June.
Maybe Damien Wayne’s fears weren’t too far off the mark.
Compared to “Anniversary,” Josh Trijullo’s story published in DC Pride 2023, one gets a sense of how superheroic advocay has shifted over recent years.
DC Comics Apollo warns Midnighter as he faces off against anti-LGBTQ+ protesters in Josh Trijullo’s “Anniversary,” illustrated by Don Aguillo. Image courtesy of DC Comics.
“Anniversary” features married gay superhero couple Midnighter and Apollo considering their visibility as LGBTQ+ role models during their wedding anniversary. Don Aguillo’s expressive, painted artwork follows the duo as they mentor a group of drag queen vigilantes, visit the iconic Stonewall Inn, and step into the middle of a tense LGBTQ+ rights protest and counter-protest on the steps of the U.S. Capitol.
Midnighter wants to bust skulls, while Apollo worries that the violence will spread. They’re joined by Alan Scott, the WWII-era Green Lantern, who advocates a more measured response, lecturing them on the history of LGBTQ+ civil rights. He encourages the couple to think of themselves as “more than costumed mystery men.”
Agreeing that visibility and pride are ways to start fighting back, the couple goes one step further, adopting a hacktivist approach. They remarry on the spot, broadcasting the ceremony to every conservative news network and social media channel they can jam in the DC universe.
One important thing hasn’t changed in the year between these stories’ publications: the underlying faith that comic book superheroes function best as symbols. But maybe it’s not enough just to be a symbol anymore.
In his book Understanding Comics, Scott McCloud notes that comic books reinvent new symbols regularly in response to a changing society. Maybe some of these new superheroic symbols just give older ones new purpose and direction.
DC Comics’ take on chosen family
DC Comics Nonbinary spirit envoy Xanthe Zhou talks to lesbian superheroine Batwoman about healing familial wounds in Jeremy Holt’s “Lost & Found,” illustrated by Andrew Drilon. Image courtesy of DC Comics.
Not only has the increase in anti-LGBTQ+ rhetoric and legislation negatively affected 66% of LGBTQ+ teens and young adults’ mental health, but only 38% consider their homes as LGBTQ+-affirming spaces.
To fill the gaps of mutual support and love, many queer people cobble together a chosen family of non-biological kinship as a vital way to thrive. This search for a chosen community forms a key part of several of the DC Pride team-up stories, a convention in which two characters who typically appear independently take on a challenge together. In fact, some of the more interesting team-up stories gently subvert the conventions of this classic comic book staple in surprisingly queer ways.
The 2021 story arc of Robin (Tim Drake) acknowledging his bisexuality made national headlines. But writer Nadia Shammas’ “Hey, Stranger” picks up on Drake’s journey, flipping the traditional superhero team-up story to show that you never really stop coming out, even to those closest to you.
“Hey, Stranger” marks the first official meeting of Tim and Connor Hawke — a young asexual, BIPOC martial artist who calls himself Green Arrow — since each first discovered their individual queer identities.
This team-up is unusual in that it happens after Tim finishes battling some thugs. Bruka Jones’ artwork depicts a series of quiet but intense moments as the two characters test (and ultimately reaffirm) the value of their friendships, while Tamra Bonvillain’s dawn-tinged palette underscores the story’s emotional weight.
Another team-up story that plays with finding community appears in Jeremy Holt’s “Lost & Found,” featuring the new character Xanthe Zhou. As a nonbinary Chinese-American “spirit envoy” trapped in the realm of the living, they literally exist between several worlds and are unable to find their place. A magician and trickster, they conjure useful spirit world objects by burning small pieces of folded joss paper.
Like the team-up in “Hey, Stranger,” the fighting becomes secondary to the bigger story. Xanthe encounters Batwoman (Kate Kane) in a Gotham City graveyard, defending the Kane family mausoleum from would-be thieves. After trying to help, they listen to Kate mourn her mother’s death that occurred during her childhood.
Smitten, Xanthe gives Kate a folded joss paper tree to burn and shares their insight about the cycles of life and death, healing and rebirth. Leaving Kate in thought, Xanthe realizes they may have a place in the world after all.
In some stories, fighting villains becomes a metaphor for desire. Since depictions of healthy queer intimacy remain rare in visual media, it’s important to recognize that some queer heroes can be lovers as well as fighters.
Queer writer Stephanie Williams’ “Confessions” presents a sly and sultry take on this dynamic. In it, Nubia, Queen of the Amazons, recounts a “forgotten” team-up as pillow talk with Io, her beloved consort. The fight — in this case, a tag-team charity wrestling match for a women’s shelter — includes the aptly named Justice League giantess Big Barda as her teammate.
DC Comics Ghost-Maker stands back-to-back with his lover and colleague Catman while battling baddies on a rooftop in Rex Ogle’s “The Dance,” drawn by Stephen Sadowski.
Rex Ogle’s “The Dance,” drawn by Stephen Sadowski, also provides erotic subtext and a steamy twist on the superheroic team-up with a queer homage to every Batman/Catwoman rooftop tangle since the pair first met way back in 1940. The story features anti-hero Catman (Thomas Blake) and Ghost-Maker (Khoa Khan, from Batman Inc.) fighting baddies together on a Gotham City rooftop.
Sadowski’s fight sequences, full of kinetic pencil work and thicker inks, seem well choreographed. The push-and-pull dynamic between Khoa and Blake makes the pair’s familiarity with one another’s bodies exceedingly clear — and it’s just as clear where they’ll head after the fight.
“I wanted the conflict to marry the sensuality of the body,” Ogle explained to LGBTQ Nation. “We’ve seen the tension between Batman and Catwoman forever, so I wanted to show another coupling.”
In one final glorious splash page, the erotic subtext of the superhero team-up gets revealed at last in all its naked queer glory as Catman and Ghost-Maker embrace in bed.
When a growing sense of queer identity & superpowers converge
DC Comics Aquaman talks to his boyfriend about his closeted childhood and unaccepting mother in Alyssa Wong’s “A World Kept Just For Me,” illustrated by W. Scott Forbes. Image courtesy of DC Comics.
For many LGBTQ+ people, the closet remains a lonely and fearful place. Within superhero stories, the isolation that comes from having superpowers is an experience that has often functioned as a metaphor for the isolation of closeted life.
Marvel’s X-Men may have started as five white prep school kids from suburban New York, but, as comics critic Sara Century notes, queer readers could easy to see mutants through the lens of LGBTQ+ civil rights. Their powers make them different, which, in turn, makes them the targets of hate and bigotry. Some could pass as common humans; others couldn’t. But until a decade or so ago, few of the X-Men had actually come out. The X-Man Northstar came out in 2002, and the better-known Iceman made national headlines when he came out in 2015.
Comparatively, some of the most interesting Pride-themed releases from DC Comics move beyond easy metaphors by focusing on how the closet and the coming out process shape the ways in which heroes use their wondrous abilities.
Greg Lockard’s “Public Display of Electromagnetism” suggests that the closet can provide a place where queer kids begin to develop self-reliance. For a younger hero like The Ray (Ray Terrell), the closet’s isolation felt both figurative and literal. The character still wrestles with the trauma of his parents literally confining him in a dark room, away from others, so that his light-based powers won’t manifest.
While he’s out to his Justice League teammates, Ray still melts down when his boyfriend kisses him in front of them. He overcompensates during a subsequent fight with the villain Shadow Thief, who easily overwhelms him with a wave of darkness, snuffing out Ray’s powerful photon charges. Although Ray finds himself reliving the trauma of his closeted youth, he digs into the root causes of his inner darkness to find the inner spark that allows him to harness his powers, shatter the Shadow Thief’s trap, and save the day — after all, Ray still needs to return his boyfriend’s kiss.
Aquaman (Jackson Hyde) also faces a history of negotiating the caped closet in Alyssa Wong’s “A World Kept Just For Me.” In this melancholy story, Jackson shows his boyfriend the small desert town in New Mexico where he grew up. Like Ray’s parents, Jackson’s single mother kept him far away from anything that would trigger his water-bending abilities.
Jackson’s story illustrates queer resilience. His powers developed in tandem with his growing sense of queer identity. He’d practice them in the shower to avoid unwanted attention while publicly struggling to become what he felt his mother wanted: “Normal, Unassuming. Human. Straight.”
Yet, as Jackson shares the pain of his closeted life with his boyfriend, he realizes that those experiences shaped the sense of morality and justice that makes him a hero.
DC Comics Trans male hero Circuit Breaker begins to understand and accept his superpowers in “Subspace Transmission,” written and illustrated by A.L. Kaplan.
Compared to other characters, Circuit Breaker (Jules Jordain) is the new kid on the multiversal block. Hailing from the playas of rural Nevada, the ability to sense and absorb kinetic energy from the world around them paints a decidedly queer picture.
Jules’ second comic book appearance in “Subspace Transmission” (DC Pride 23) functions as a kind of queer superhero origin story, with writer and artist A.L. Kaplan wisely focusing on the best part: the hero discovering who they are and what they value in relation to their new abilities.
Strange and overwhelming at first, Jule’s powers are a conduit for entropy, the ability to sense and steal kinetic energy and reduce the world to stillness. As they struggle for control over their powers, Jules recalls the fears faced when coming to terms with their gender identity and body while transitioning.
“Bodies are mutable,” Jules realizes after another failed attempt to harness their abilities. “Life or death. Stasis or change. Control or submission. Man or woman. Thinking in binaries always felt limiting to me.” And with that insight, they come to peace with the strangeness of their new abilities.
It is in these moments that Kaplan’s artwork shines. As they explore their powers, the waves of energy swirling Jules evoke psychedelic posters and 1970s rock album art.
For decades, LGBTQ+ comic book fans could only see themselves as metaphors rather than well-rounded queer characters. Being queer may not be a superpower in itself, but it provides LGBTQ+ characters in the multiverse with unique perspectives on their extraordinary abilities. It also provides affirms that our lived experiences matter — maybe that awareness itself is the real superpower.
Dismantling old tropes
Comic books haven’t always been kind to queer characters. Consider Extraño, DC’s first openly gay superhero. First appearing in 1987, when industry standards prohibited writers from using words like “gay” and “homosexual,” Extraño became a pastiche of stereotypes.
Early stories depicted Extraño as a sassy Peruvian sorcerer whose architectural hair, flowing purple robe, and pirate boots made him look like Liberace cosplaying Doctor Strange. The character all but vanished a year or so later, but only after contracting HIV from an “AIDS vampire” called the Hemo-goblin. No, really.
Extraño’s fate became a textbook case of “bury your gays,” a storytelling trope that remains alive and well in current pop culture (just watch It: Chapter Two and cringe at the gay-bashing scene). But now, queer writers are digging those bodies back up and giving them new life.
In a terse Substack post from May 2022, nonbinary writer Grant Morrison took aim at writers who use alternate versions of major characters as cannon fodder. For them, burying queer characters “for no defensible reason” deprives them of their storytelling potential.
DC Comics The long-lost Red Racer kisses his partner Flashlight in “Love’s Lightning Heart,” written by Grant Morrison and illustrated by Hayden Sherman.
One of the architects of the DC Comics multiverse, Morrison has created several LGBTQ+ and gender-swapped versions of major heroes in recent years. One of them, Red Racer (an alternate version of The Flash), was revealed to be happily married to his universe’s Green Lantern equivalent. Morrison had established the character as a founding member of a multiversal Justice League. However, Red Racer died in a Superman comic book, sacrificing his life to save the title hero.
In “Love’s Lightning Heart” (the lead story in DC Pride 2023), Morrison sets out to rectify this loss. The result provides a trippy, high-concept story of love overcoming death. It follows Flashlight, Red Racer’s grieving husband, on a mad, universe-breaking quest to return his beloved to the living. The story takes the reader on a whirlwind tour of an Art Deco-infused parallel universe and suggests that Red Racer’s return may herald the start of a new story arc brimming with possibilities.
Other LGBTQ+ writers strive towards the same goal as Morrison by reviving queer characters who have been buried, depowered, disfigured, or just plain forgotten. In Christopher Cantwell’s “My Best Bet” (DC Pride 2023), the wily magician and conman John Constantine plays a long game with Superman (Jon Kent) to rescue the soul of Oliver, a former boyfriend who had been dragged to Hell in the final issue of Constantine’s 2015 solo series and ignored … until now.
Queer villains get dug up and dusted off, too. Cannon and Saber — the antagonists in Rex Ogle’s story “The Dance” — have been depicted as an openly gay couple since their first appearance in 1984, but they last appeared over 30 years ago — welcome back, boys!
Even Extraño has returned from the comic book dead. Writer Steve Orlando reintroduced the character in his 2017 GLAAD Media Award-nominated series Midnighter and Apollo. Since then, Extraño has become a mentor for younger queer characters and the founder of a network of LGBTQ+ superheroes called Justice League Queer.
But don’t call him Extraño. Nobody has done that in years. “I’ve since buried that name,” he tells Midnighter, seeming to hint that he does the same to anyone who uses it. Now Gregorio de la Vega, he’s reclaimed his proud place as the first out queer superhero in the DC multiverse.
Grappling with justice & legacies reimagined
DC Comics For nearly two decades, Rachel Pollack’s Coagula was DC Comics’ only transgender superheroine. Apparently, the Justice League couldn’t handle her.
In an interview with Lambda Legal, queer poet and essayist Kay Ulanday Barrett argues that stories by and for LGBTQ+ people “honor our grief” as well as “help us remember our glory and community triumphs.” Recent book bans and content challenges seek to erase those histories. The DC Pride releases counter that threat by honoring the legacies of two recently deceased groundbreaking queer elders.
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Rachel Pollack, who passed away from non-Hodgkin lymphoma last April, is best known for her beautiful, strange, and spiritual run on Doom Patrol in the early 1990s, in which she introduced Kate Godwin, a trans lesbian superhero who went by the name of Coagula. Kate was the first — and for nearly two decades — the only transgender superhero published by DC Comics.
A former sex worker, Kate gained the ability to turn liquids into solids (and vice versa) after she spent a night with multi-gendered energy being Rebis. She initially tried to join the Justice League, but they rejected her. “I suspect they liked my powers,” she tells a friend, “but couldn’t handle me.”
Kate soon found her chosen family with the Doom Patrol, a collection of wounded heroes and superpowered outsiders whose adventures bordered on the surreal.
Pollack had been invited to contribute new material to DC Pride 2023, but the sudden progression of her illness prevented this. Instead, the anthology features tributes to her legacy from industry giants like Neil Gaiman and upcoming talents like transgender writer Jadzia Axelrod.
Gaiman reveals that Pollack created Kate Godwin as a response to Wanda Mann, a sympathetic but doomed transgender character in his Sandman story arc “A Game of You.” (Wanda will likely appear in the second season of Netflix’s adaptation, The Sandman.)
For Axelrod, reading that first comic with Kate Godwin in 1993 felt “like a lightning bolt from heaven.” Not only had DC Comics published a story featuring an out trans lesbian, but this smart, funny, kind person became the point of view character for the reader. The comic inspired Axelrod to create a trans-alien superhero named Galaxy, who currently appears in the Hawkgirl comics.
Kate Godwin seldom appeared after Pollack’s run on Doom Patrol ended. Another writer seemingly killed her off-panel a decade later.
However, Coagula may soon return. A trans woman named “Kate” (drawn in Godwin’s signature black tank top and jeans) appears briefly at the start of Axelrod’s 2022 story “Up At Bat” (reprinted in DC Pride: The New Generation). There, Kate runs a wellness group in Gotham City, and serves a friend and mentor to Alysia Yeoh, a trans urban vigilante and Batgirl ally.
What better way to honor Pollack’s legacy than reviving Kate Godwin, recognizing the achievements of these two pioneering women? Maybe the Justice League will finally accept her for her full, authentic self.
And anyone who grew up watching cartoons like Batman: The Animated Seriesor Justice League Unlimited, can instantly recognize Kevin Conroy’s rumbling, husky voice as Batman. Conroy passed away in November 2022 from intestinal cancer.
Before his death, Conroy collaborated with illustrator J. Bone on the autobiographical graphic story “Finding Batman.” First published in 2022, the story receivedwide fan acclaim and subsequently won the 2023 Eisner Award for Best Short Story. It also appears in DC Pride: The New Generation.
Conroy writes movingly about the need to maintain a public mask while struggling against homophobia within the entertainment industry while watching his family members succumb to mental illness and substance abuse. In his audition for Batman: The Animated Series, he used these experiences to channel the torment that Bruce Wayne faced as a child, the ones that led him to become a masked vigilante.
Conroy developed a voice from his own traumas that became one of the definitive takes on the character. J. Bone’s artwork – sharp, thick pencils and blue washes – provides a compelling screen for Conroy’s experiences.
“It is nearly impossible to write and draw heroes,” writer Jimenez says, “and not grapple with the very concept of justice and what it means to act heroically.” Although Conroy did not create heroes in the conventional sense, “Finding Batman” suggests that his celebrated portrayal of Batman came from a life of grappling with those same struggles.
Experts have long explored what has come to be known as the “lesbian wage premium” – the fact that on average, lesbians around the world earn about 9% more than heterosexual women. The number is even higher in the United States, with lesbians earning about 20% more than straight women.
In a recent video, TikToker Aria Velz analyzed several studies to explain why this might be. “We can start at the obvious,” she said, “lesbians tend to be more educated than straight women, are less likely to have children, live more predominantly in cities, and have more professional jobs.”
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But she explained that even when controlling for all of that, lesbians still earn more. So she brought up another hypothesis: Women in heterosexual relationships are still expected to take on more emotional and domestic labor than men, whereas lesbians tend to more equally share those duties. As such, heterosexual women are more likely to sacrifice career advancement for domestic responsibilities.
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Velz also pointed to studies that show lesbians who have lived with a previous male spouse make less money than lesbians who have never lived with a man.
“The lesson here is not that lesbians are better at making money,” she said. “It reconfirms that the domestic labor situation at home contributes to how women earn more outside the home – and lesbians have just learned that lesson first.”
But it’s not all sunshine and rainbows. Despite the extra earnings for lesbians, Slate pointed out in 2015 (when the lesbian wage premium was first identified), that lesbians were still a lot are likely to be poor than straight women as well as the general population. And because women in general still make less than men, two women in a couple still tend to miss out on key earnings.
As Slate put it, “Any benefits to being lesbian are canceled out when couples’ earnings are considered in aggregate—there, lesbians fare the worst of anyone.”
Flames shot through the crowded Up Stairs Lounge as bartender Buddy Rasmussen opened the front door to see who had been ringing the downstairs buzzer. Someone had lit the popular bar’s stairwell carpet on fire, and it burned its way up the wooden stairs into the bar, quickly igniting the lounge’s red wallpaper, curtains, and posters of Burt Reynolds naked on a bearskin rug and Olympic swimmer Mark Spitz wearing his seven gold medals, a star-spangled Speedo, and a smile.
Some patrons saw the blaze and ran for the nearest exits or down the stairwell, emerging with their clothes on fire as neighbors raced to pour pitchers of water onto them. Rasmussen began tapping patrons on the shoulder to follow him toward the fire exit at the back of the bar, but many were too shocked by the exploding blaze to move.
The June 24, 1973, conflagration, likely set by a sex worker ejected from the New Orleans bar earlier that night, killed 32 people and injured at least 15 others.
Yet the reaction to the catastrophe hardly matched the immense suffering the fire caused, and the tragedy was compounded by multiple denials: Public officials refused to issue statements about the fire, and Catholic churches refused to hold funeral services for the victims, whom they saw as unrepentant sinners. The media only reported on the fire briefly or not at all, and some families refused to claim their relatives’ bodies because they didn’t want to acknowledge that they were gay. Three of the victims ended up buried in unmarked graves — two remain unidentified.
To this day, the arson remains unsolved.
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The June 25, 1973, blaze quickly engulfed the Up Stairs Lounge. Photo by Philip Ames, courtesy of the LGBT+ Archives of Louisiana.
Hate crimes reverberate through communities, intimidating an entire class of people. The Up Stairs Lounge had been a safe space in the gay-friendly, tourist-heavy French Quarter. But as bar patrons feared a similar attack on other gathering spots, still others worried that police might start raiding gay bars more often and arresting more men in the name of public safety. Bar owners believed talking too much about the fire could hurt business. And locals just wanted to move on from the horror.
As a result, to this day, even many queer New Orleanians aren’t aware of the most devastating fire in their city’s history, the deadliest massacre of gay men in the U.S. before the June 2016 Pulse nightclub shooting in Orlando, Florida.
This year, half a century later, there’s considerable important work being done to ensure that the arson and its aftermath are remembered and the deaths memorialized. For the tragedy’s anniversary, a group of community activists, religious leaders, and queer historians partnered with the LGBT+ Archives Project of Louisiana and the Historic New Orleans Collection to organize a weekend of commemorative events at the end of June.
The weekend, attended by LGBTQ Nation, featured discussions with religious leaders and activists who lent a hand in the fire’s aftermath, artists who have made documentaries and theatrical works based on the event, church leaders concerned with the tragedy’s spiritual legacy, and podcasters and archivists dedicated to preserving its terrible memory. The weekend events also included art exhibitions, film screenings, a memorial service, and a “second line” jazz funeral through the city’s streets to the now defunct bar’s front entrance.
Their work is especially important considering the current backlash against remembering the atrocities America has committed against its most vulnerable communities. Extreme right-wingers are busy denying our guilt over slavery, the genocide of Native Americans, the internment of Japanese Americans during World War II, and the effect these traumas have on minority communities to this day.
But those committed to preserving history aren’t just making artworks and public speeches about the tragedy; they’re also working to ensure that the victims and their families finally get the recognition and empathy they deserve for their loss.
The fire occurred when New Orleans author Johnny Townsend was only 11 years old. Though he saw horrific photos of the aftermath on TV news at the time, as he grew up, he could find little background on what happened. So in 1989 — 16 years after the fire — he began tracking down the bar’s survivors and former patrons with the help of Rasmussen, the lounge’s surviving bartender.
Through interviews and research, Townsend published the first historical account of what happened as well as profiles for each victim in his 2011 book Let the Faggots Burn. The amateur historian struggled to find a publisher, so he eventually published it himself via BookLocker.com. After the 333-page book was released, a son of one of the fire’s victims approached him after Townsend spoke publicly about the book and said that all he had ever known of his father was what his mother had told him: “Your father was a drunk, and he died at a bar.”
Townsend’s book had given his dad back to him. Today, the historical amnesia is finally being addressed. There are three books about the fire — including Clayton Delery-Edwards’ comprehensive 2014 account, The Up Stairs Lounge Arson, and Robert W. Fieseler’s 2018 nonfiction narrative, Tinderbox.
Three documentaries have been made about the arson, with a fourth in production, as well as one play, a stage musical, four unproduced screenplays, a dance piece, various podcasts, and a permanent art installation.
One of the documentaries, a 2013 short by Royd Anderson, helped the estranged family of World War II veteran Ferris LeBlanc realize that he was one of three “unidentified white males” who perished in the blaze. The city buried his corpse in an unmarked plot within Resthaven Memorial Park, a potter’s field located near the city’s northeastern coast.
Anderson is now working on a documentary called Saving Ferris and pressuring government officials to exhume LeBlanc and give him the proper military burial that he deserved.
Max Vernon’s 2017 stage musical, The View UpStairs, depicts a snarky gay fashionista millennial who buys the dilapidated Up Stairs Lounge to launch his flagship store but is then magically transported to 1973, just before the fire. Despite its tragic content, it has been seen by over 100,000 people — Off-Broadway, in multiple U.S. cities, as well as in England and Australia — and has been translated into Japanese and seen by 20,000 theatergoers. Drag legend RuPaul called the musical “fantastic.”
None of these things would’ve been possible without Townsend’s first book. Delery-Edwards and Fieseler agreed on this point as the three book authors spoke at an opening-night panel during the 50th-anniversary commemorative weekend.
Fieseler said that people still contact him regularly with new information about the fire. At speaking engagements, attendees will often approach him, tears in their eyes, to confess their estrangement from their own queer family members.
“It can change minds,” Fieseler said of the history. “It can melt hearts when they learn the inhumanity of how these people were treated.”
Many of the weekend panelists said they wanted to ensure that the history is never forgotten and that it never happens again — but it already is happening again.
“New Orleans is renowned internationally for being a welcoming, open city. And part of us continuing to promote that narrative requires us to acknowledge a time when we were not an open, welcoming city.”City Council Vice President J.P. Morell
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Eleven states have laws censoring discussions of LGBTQ+ issues in public school classrooms. Thirty-three states have banned LGBTQ+-inclusive books from schools and public libraries, according to the free speech organization PEN America. Meanwhile, recent reports show that the LGBTQ+ community has increasingly been targeted by legislation banning drag shows and gender-affirming care, as well as by hate speech, threats, and violence from white supremacist, neo-fascist, parental rights, and Christian nationalist groups.
“New Orleans is renowned internationally for being a welcoming, open city,” City Council Vice President J.P. Morell told attendees at the opening reception of the 50th anniversary commemoration. “And part of us continuing to promote that narrative requires us to acknowledge a time when we were not an open, welcoming city.”
Morell spearheaded an official apology from the city, delivered in 2022, for its “botched and callous response” to the arson. He said that the city and media had made an “active effort” to bury the massacre and shield the politically powerful from any guilt for neglecting its victims. That same year, Louisiana state Rep. Alonzo Knox (D) passed a resolution apologizing for the state’s response.
A growing community has emerged to preserve the arson’s memory and counter those who wish to keep it buried. To understand what drives them, one must first know a little about the bar, the community it created, and the fire that ravaged both.
“When I try to explain [the arson] to people not in the queer community,” Morell told the reception attendees, “I tell them the Up Stairs Lounge is like the [1921] Tulsa Massacre for those in the African American community … The fact that we didn’t know about it as a country tells you how successful the government and the media can be in erasing history if we don’t fight for it.”
How a refuge turned into a deadly nightmare
Gay life during the early 1970s was nothing like today. The American Psychiatric Association considered homosexuality a mental illness, the best-known depiction across America was the hillbilly rape scene from the film Deliverance, and some closeted men got married and had children just to avoid persecution.
While some of New Orleans’ queer community joined invite-only dinner clubs and Mardi Gras krewes to socialize privately, others frequented public cruising spots and bars. In the late-night hours, police would sometimes raid these establishments, beating up and arresting patrons on vague “obscenities” charges for actions as simple as hugging. Arrestees had their names published in the newspaper, resulting in firings, divorces, and even taking their own lives.
In 1970, gay entrepreneur Philip Esteve opened the Up Stairs Lounge and hired Rasmussen, a friendly man who had been dishonorably discharged from the military for being gay.
The bar didn’t get much business when it first opened, but then Rasmussen had the idea for a Sunday evening Beer Bust from 5 p.m. to 7 p.m. when customers could pay $1 for all-you-can-drink beer. He figured, accurately, that Beer Bust customers would become bar regulars.
As the crowds grew, the lounge became a refuge for its patrons, some of whom were out among gay friends but closeted at work. The bar held annual parties for Mardi Gras and Halloween and also community fundraisers for children’s hospitals and other causes. On a small stage, patrons performed plays and lighthearted “Nellydramas” where men played women’s roles, and the audience threw popcorn at cartoonish villains.
The bar also hired a pianist to play singalongs. At the end of every Beer Bust, he’d play the 1970 Brotherhood of Man song “United We Stand,” and patrons would sing together: “There’s nowhere in the world that I would rather be / Than with you my love / And there’s nothing in the world that I would rather see / Than your smile my love / For united we stand / Divided we fall / And if our backs should ever be against the wall / We’ll be together, together, you and I.”
The bar also hosted Sunday morning services for the Metropolitan Community Church (MCC), a gay-affirming church started in Los Angeles in 1968. William “Bill” Larson, New Orleans’ MCC minister, temporarily held Sunday services in the bar’s intimate theater. Even after moving the gatherings into his own home, church members still patronized the bar after services, often staying for the Beer Bust.
According to accounts in the aforementioned books and an ABC News featureabout the arson, during one Beer Bust on June 24, 1973, 26-year-old sex worker Roger Dale Nunez was reportedly sexually harassing patrons. One patron punched him, and the bartender threw him out. But before leaving, Nunez allegedly said, “I’m gonna burn you all out!”
It’s believed that Nunez then went to a nearby Walgreens, purchased a 7-ounce canister of Ronsonol lighter fluid, emptied it onto the bar entrance’s bottom steps, and ignited it. The small fire quickly blazed up the carpeted stairway and swept into the bar, engulfing its wallpaper, window drapes, wood paneling, posters, and decorations.
Rasmussen, who received fire training in the military, helped 22 people safely exit from a fire door behind the stage, but others were too intoxicated or stunned to follow. Some of the 42 people who remained in the bar escaped through another fire door; others ran down the fiery stairwell and emerged downstairs severely burned.
Twelve escaped by miraculously squeezing through the 10-inch gaps in the metal safety bars guarding the lounge’s large floor-to-ceiling windows. One such person was Rusty Quinton, a man who would soon after be photographed while looking at the fiery bar and crying, “My friends are up there!”
Others weren’t so lucky. Larson, the MCC pastor, squeezed his head and arm through the bars before catching flame and burning alive. Some people feared the windows’ 12-foot drop to the sidewalk and blocked others from escaping through them.
Though firefighters extinguished the blaze barely 20 minutes after it began, when they entered the bar, they discovered that nearly 17 corpses had piled atop one another while trying to escape through the windows. Firefighters vomited from the stench and cried at the horrific sights. Larson’s charred corpse remained visible in the window for nearly four hours before being removed.
Fifteen injured survivors went to Charity Hospital, forcing it to prematurely open its new burn unit. Three of those admitted died from their injuries.
One survivor with burned hands asked for help dialing his boyfriend on a pay phone. When his lover answered, he looked at the floor and said, “Hello, David? Listen, I’ve had a sort of accident. Yes … Please come quick. Please come. I hurt.”
Heroes from the ashes
Throughout history, some haven’t considered the fire a hate crime because it was committed by someone from the LGBTQ+ community. But, as one commemoration panelist, Metropolitan Community Church minister Paul Breton, said, the real hate crime happened afterward with the inhuman response of the city, state, and church.
The indignities began almost immediately. As journalists arrived at the scene, Rasmussen found Nunez in the crowd and dragged him to a police officer for arrest. The cop, possibly more concerned with crowd control, told Rasmussen to move along. The officer’s negligence characterized the police’s handling of the case. While investigators often use victims’ clothing, jewelry, birthmarks, and IDs to identify the dead, the fire had rendered them unidentifiable. Police officials told reporters from then newspaper The States-Item that they had trouble identifying people because “some thieves hung out” at the bar, and it was “not uncommon for homosexuals to carry false identification.”
Reggie Adams, Adam Fontenot, Horace “Skip” Hetchell, Ken Harrington, Rev. William “Bill” Larson, Ferris LeBlanc, Robert Lumpkin, Leon Richard Maples, Bud Matyi, Duane George “Mitch” Mitchell, and Perry Lane Waters, Jr. were among the victims on June 27, 1973. Photos courtesy of the LGBT+ Archives Project of Louisiana.
Police concluded their investigation about two months later without ever questioning or arresting Nunez. The fire marshal’s more thorough investigation subjected Nunez to a psychological stress evaluation (PSE) that detected dishonesty in Nunez’s denials. PSEs, however, are subjective and often inadmissible as court evidence.
Nunez drunkenly confessed to three people — his lover, a nun, and a drag queen — that he had started the fire, only to deny it when sober. None of them told the police. The drag queen, Miss Fury, said Nunez confessed to her on Christmas Eve 1973 that “He’d only meant to cause a little fire and smoke. He’d only meant to scare everybody. He didn’t realize the whole place would go up in flames.” The 27-year-old arsonist died by suicide on November 15, 1974, by overdosing on beer and painkillers.
Even though the fire marshal concluded that Nunez was guilty, the Orleans Parish District Attorney refused to sign off on the conclusion. With no fingerprints on the lighter fluid can, witnesses to the fire setting, or confession, there was no proof and no conviction — the case remains officially unsolved to this day.
The local paper, The Times-Picayune, printed the names of the deceased and the survivors, outing some of them. Closeted survivors who avoided the press still couldn’t mention the tragedy at their workplaces. According to Delery-Edwards’ and Townsend’s research, tasteless jokes began circulating among New Orleans locals about “flaming queens,” how the dead homos should be buried in fruit jars, and how the real tragedy was that more f**gots didn’t die.
When a 1972 fire at New Orleans’ Rault Center killed six people, then-Mayor Moon Landrieu, then-Louisiana Gov. Edwin Edwards, and then-Catholic Archbishop Philip Hannan issued sympathetic statements to the victims and their families. However, after the Up Stairs Lounge fire killed 32, the officials said nothing for weeks. Hannan reportedly told local Catholic churches not to hold funerals or burials for any of the fire’s non-Catholic victims.
An appeals court blocked 19 different lawsuits suing city and state agencies for failing to inspect the bar for fire hazards for over two years before the blaze. With no one else to hold accountable, the litigants sued the bar’s owner for $80,000, a paltry sum to split among them all.
But even amid this coldness, heroes rose from the ashes.
Three MCC leaders — MCC founder Troy Perry of Los Angeles, Reverend John Gill of Atlanta, and Minister Paul Breton of Washington D.C. — quickly met in New Orleans to begin organizing memorials and press conferences, shaming the media and government for sweeping victims’ ashes under the rug.
These men helped establish The National New Orleans Memorial Fund, which raised $18,000 (worth about $125,000 today). The fund covered burial costs and aided survivors with medical bills and lost wages. It was the first-ever national fundraiser for a gay cause, and it provided a blueprint for similar fundraisers during the soon-to-come AIDS epidemic.
Breton, who is now 83, recalled the unkindness of churches that refused to host memorials for homosexuals.
“Church is not necessarily found in a community of people who adhere to a creed,” Breton said during a 50th anniversary panel about the fire’s spiritual legacy. “The Beer Bust was a church. You had people of like mind and like interest coming together every Sunday at a specified time, and they did something that people in church should do and often that people in churches don’t do — they were friends with each other.”
The three MCC leaders eventually convinced Father Bill Richardson of St. George’s Episcopal Church to host a June 25 memorial in the church’s small chapel. Only 50 people attended since it wasn’t well publicized and victims were still being identified. But afterward, 100 parishioners complained to the local bishop and demanded Richardson’s resignation.
In response, Richardson wrote a June 28 letter to congregants stating, “St. George’s is not a private club but the House of God … Would Jesus have barred these grief-stricken people from His church, or would He have welcomed them?” If congregants felt that the church should only minister to a select few, he wrote, he’d consider resigning. He never resigned, but the Episcopalian bishop of New Orleans, Iveson Nolan, told Richardson and other local Episcopal churches not to host future memorials.
A second memorial was held at St. Mark’s Methodist Church on Sunday, July 1. Its organizers printed 3,000 flyers to advertise it, and about 300 people attended, including the Methodist Bishop of Louisiana — a big deal considering the church officially sees homosexuality as “incompatible with Christian teaching.” The mourners then sang “United We Stand,” the same song that bar patrons sang at the end of every Beer Bust.
That same day, 46 MCC branches in the U.S. and Europe held memorial services, and several gay bars, nightclubs, and bathhouses in eight major U.S. cities also closed for an hour to commemorate the victims.
“I’m not ashamed of who I am or who my friends are. I came in the front door, and I’m going out that way.”An attendee at a memorial event for the Up Stairs Lounge fire, circa 1973.
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Though the organizers of the New Orleans memorial had asked the press not to attend, TheTimes-Picayune and the local NBC TV affiliate arrived with cameras, waiting to record departing attendees and potentially out them. Perry notified the mourners and offered a backdoor exit. But an unidentified butch lesbian reportedly shouted, “I’m not ashamed of who I am or who my friends are. I came in the front door, and I’m going out that way.”
Recounts differ on what happened next. Some say the mourners left through the front door. Some say a few exited out the back. Others say the TV cameras had already departed by the time the memorial ended. Perry told one historian it didn’t matter if the cameras were there or not — what mattered was that the gay mourners faced them.
A reckoning 50 years in the making
(from left) A local “watering hole,” The Jimani, has occupied the street level of 141 Chartres Street since 1972. The Up Stairs Lounge on the second floor had only one public entrance, its second-floor windows were either boarded or covered with iron bars. Photos courtesy of the LGBT+ Archives Project of Louisiana.
Contrary to widespread belief, the Up Stairs Lounge fire wasn’t New Orleans’ Stonewall moment. The fire wasn’t a victory against oppression, and it didn’t rouse the local gay community to start fighting for their rights. In fact, the LGBTQ+ community rarely discussed the fire, and some opposed the efforts of the visiting MCC ministers.
The ministers were referred to as “fairy carpetbaggers,” borrowing a post–Civil War term for Northerners who profited off of Southern suffering. Up Stairs Lounge bar owner Esteve and other local gay business owners blamed the out-of-state activists for interfering in local matters, divisively politicizing a tragedy, and attracting unwanted government attention to gay establishments and their patrons.
Though the American Psychiatric Association removed homosexuality from its diagnostic manual of mental disorders six months after the fire, it wouldn’t be until six years later that the city’s queer community would unite to oppose a force that bears an eerie resemblance to the threat LGBTQ+ people face today.
In 1977, the leaders of seven local gay and lesbian groups organized a 2,000-person protest against hate group leader Anita Bryant — it was the city’s largest-ever gay rights demonstration. That same year, a gay and lesbian newspaper Impact began publication, and the mayor appointed gays and lesbians to his city hall committee. Throughout the 1980s, various gay political and HIV advocacy groups evolved, including the New Orleans Chapter of Parents and Friends of Lesbians and Gays (PFLAG).
Despite this progress, the Up Stairs Lounge Fire remained mostly forgotten, and it was even excluded from a 1991 Louisiana State Museum exhibit about the city’s historic fires. However, on the arson’s 30th anniversary in 2003, the New Orleans MCC and others placed a bronze memorial plaque with the names of the fire’s 32 victims in front of the bar’s original entrance. By the arson’s 40th anniversary, the city’s then-mayor Mitch Landrieu (son of the mayor who had served during the fire) issued a statement formally recognizing the fire, and then Catholic Archbishop Gregory Aymond apologized for the archdiocese not issuing a statement when the blaze occurred.
Many of the fire’s survivors are dead, and the victims’ families have grown older and largely moved away. But local MCC Rev. Lonnie Cheramie, a queer group called the Crescent City Leathermen, and others have helped organize annual memorials, including a 2023 recreation of the 1973 memorial service that occurred at St. Marks.
“There are growing numbers of people across our country who want to erase our history and our very existence. Your very existence and participation today is, in fact, a political act.”Apostle Shelly Planellas of New Covenant Church, host of the Up Stairs Lounge 50th anniversary commemoration
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In front of the crowded sanctuary stood 32 small black banners, each with the name of a different victim sewn in gold lettering. After the New Orleans Gay Men’s Chorus sang “United We Stand,” various leathermen, drag nuns with the Big Easy Sisters of Perpetual Indulgence, and others carried the banners through the French Quarter for a “second line” jazz funeral procession to the entrance of the former Up Stairs Lounge. (The street-level bar, The Jimani, has occupied the space since 1972, with building records dating back as far back as 1848.)
There, people left flowers and bouquets on the plaque as Regina Adams observed the proceedings. Her husband, Reginald “Reggie” Adams, died in the fire. When she returned to the bar after going home to retrieve her checkbook, she saw the fire and stood in the middle of Iberville Street, screaming. Every day of the following week, she laid out her husband’s work clothes as if awaiting his return. She has rarely ever attended these memorial events, one local filmmaker noted.
“We still have a lot of work left to do,” said the event’s emcee, Apostle Shelly Planellas of New Covenant Church, through a loudspeaker in front of the 32 black banners. “Seven years ago, we lost 49 lives at Pulse in Orlando. Last year, we lost five at Club Q in Colorado Springs. And we have lost countless members of our beloved trans community to bigotry and hatred. And our work does not end here. Our work and our mission do not end ever. Homophobia, transphobia, racism, misogyny, and hatred are still a part of our daily reality. There are growing numbers of people across our country who want to erase our history and our very existence. Many would say that we should never politicize a tragedy like this. Your very existence and participation today is, in fact, a political act.”
Most of the memorial’s attendees skewed older, Tim Reynolds of the Crescent City Leathermen said, because the older generation is more invested in preserving history. His group helps organize the memorials, he said, to keep the memory alive for the next generation.
In a recently released podcast about the arson, The Fire UpStairs, activist, drag performer, and RuPaul’s Drag Race alum BenDeLaCreme said that many younger queer people and allies don’t understand why gay life is so centered around bars.
“These were the spaces that [homophobic society] pushed us into,” BenDeLaCreme told the podcast’s co-creator Joey Gray. But now — with more hookup apps and civil rights — even queer spaces are disappearing, she said.
This disappearance of queer spaces makes it more urgent to convey this history, Gray said, especially at a time when bigots are fighting to actively erase it. The AIDS epidemic silenced an entire generation of queer elders from passing down our community’s legacy. Because of this, more young people have grown up in an unprecedented era of acceptance and find themselves shaken and unprepared to face the current threat to our progress, not aware of similar historical threats and actions.
“In order to fight these battles and to stand up for what’s historically our culture, you have to have some kind of a foundation, a base knowledge,” said Gray about why he started the podcast.
Another guest of Gray’s podcast — Brian Derrick, founder of the progressive political engagement site Oath — noted that the cost of LGBTQ+ progress has been paid with career sacrifices, lives, and emotional labor.
“So now we have this fight in front of us,” Derrick said. “It’s also going to be expensive, and it’s going to cost a lot of time, money, careers, and all of these massive inputs in order to again move equality forward so that the next generation doesn’t have the same fight that we have right now. So we are leaving our kids — both literal and metaphorical — in a better place.”
Additional research by Billy McEntee and Kelly Suzan Waggoner.
At the Medical University of South Carolina (MUSC), a noxious combination of political ambition, billionaire privilege, and bureaucratic cowardice led the academic hospital to cut off gender-affirming care to minor patients, including patients younger than what the institution’s right-wing detractors had demanded.
In September 2022, opponents of gender-affirming care in South Carolina latched onto a parenthetical included in a medical student’s graduate research at MUSC. The parenthetical comment described the youngest transgender patient to visit the hospital’s pediatric endocrinology clinic, just 4 years old, according to a report from ProPublica.
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That fact morphed into fiction as far-right critics inaccurately claimed that children that young were prescribed hormones as part of gender transition therapy at the hospital.
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None other than gender-critical transphobe and X owner Elon Musk amplified the false claim, posting, “Is it really true that four-year-olds are receiving hormone treatment?” His post led federal and state lawmakers to interrogate hospital leaders about whether the public hospital was, in fact, helping young children medically transition.
The truth was that the hospital didn’t offer surgery to minors as part of their gender-affirming care offerings, nor did any patients receive hormone therapy before puberty.
The facts, however, didn’t matter.
“If MUSC is mutilating or castrating children, I won’t stop until they are stripped of public funding,” Republican state Rep. Thomas Beach of South Carolina’s Freedom Caucus, threatened in an X post.
The South Carolina legislature had already banned the state’s flagship medical university from using public money to provide any treatment “furthering the gender transition” of children under 16, and hospital leaders assured lawmakers they didn’t use state money to care for trans patients.
But over the next several months, hospital administrators went even further in an effort to evade scrutiny from lawmakers, the press, and the far-right outrage machine. MUSC cut off all gender-affirming care for anyone under 18, while abandoning all previous patients with no explanation or advice for their continued care.
That autumn — as pressure mounted on the hospital from state lawmakers and those anxious to exploit the culturally divisive issue for political gain — U.S. Rep. Nancy Mace (R-SC) was locked in a contentious race against her Democratic opponent Annie Andrews, a pediatrician at MUSC who wasn’t connected to the endocrinology clinic. Mace exploited the connection, and placed trans kids at the center of the controversy.
In a tabloid-style video from Mace, text scrolled over a photo of Andrews: “Sex change surgery, puberty blockers, gender changing hormones for children?! That’s not protection. That’s child abuse.”
Hospital administrators dissuaded pediatric residents who wanted to publish a letter defending Andrews against Mace’s political attacks, for fear it would invite more scrutiny.
“They left me out on a limb,” said Andrews, who has since resigned from the hospital.
The state’s far-right Freedom Caucus also reveled in their charge to strip MUSC of funding because of the hospital’s perceived pro-LGBTQ+ bias.
After MUSC leaders agreed in December to cut off access to hormones for gender transition for minors of all ages — including 16- and 17-year-olds — state Rep. Beach crowed on Facebook, “I went after the Medical Center of South Carolina with 19 other of my door-kicking, rock-ribbed, and South Carolina’s most Conservative legislator friends. It feels good to be a gangster.”
Police have identified three suspects in the brutal murder of a 30-year-old gay man, whose body was found in a park in Phoenix, Arizona on November 26.
The alleged killers – all of whom have confessed to being involved in the murder – shot Bernardo Pantaleon multiple times before mutilating his body with a knife. According to Arizona’s Family, his body was in such bad condition that police told his family they should not see him.
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Court documents reveal that the crime was likely motivated by anti-gay hate. The documents stated that 21-year-old Leonardo Santiago told police he killed the victim because he made “an unwanted advance that made him uncomfortable.”
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A state attorney added, “He ultimately shot the victim several times, killing him, leaving him, and returning an hour later with his codefendant Manuel Carrasco, who then mutilated the victim’s body.” Another man, 20-year-old Jose Rodriguez, has also been arrested for allegedly participating in the murder.
Investigators also reportedly found texts between the three men in which they discussed plans to “rob and kill” Pantaleon, proving the murder was premeditated.
And the nightmare for the family did not end there. On November 30, loved ones received two photos of Pantaleon’s body. One of them – which was also posted on Instagram –included the hand of a man holding up his middle finger to the camera. Police used the Instagram account to ultimately identify the suspects.
The suspects are reportedly part of a gang whose members were discovered celebrating the murder on social media.
A GoFundMe page set up by the victim’s family said Pantaleon was “not just full of love, but the funniest, caring loving person you will come across.”
“It was never a dull moment with him,” it continued. “Bernardo was the rock for his sibling after the loss of their parents. Unfortunately, we are mourning him as we have lost him in the most tragic way possible. “
In Jordan, one of the few countries in the Middle East where same-sex relations do not incur a criminal penalty, the government has initiated a crackdown on LGBTQ+ activists in a coordinated campaign of intimidation.
According to a report released by Human Rights Watch on Tuesday, interviews with 13 prominent LGBTQ+ activists in the country reveal tactics of intimidation and abuse forcing activists to cease their advocacy work or flee the country altogether.
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In the past, Jordan has promoted itself as a modernizing influence among Middle Eastern nations compared with its neighbors. The country’s sodomy laws, dating back to British rule, were repealed in 1951.
“Jordanian authorities have launched a coordinated attack against LGBT rights activists, aimed at eradicating any discussion around gender and sexuality from the public and private spheres,” said Rasha Younes, senior LGBT rights researcher at Human Rights Watch. “Security forces’ intimidation tactics and unlawful interference in LGBT organizing have driven activism further underground and forced civil society leaders into an impossible reality: severe self-censorship or fleeing Jordan.”
The report details how Jordan’s General Intelligence Department (GID) and the Preventive Security Department of the Public Security Directorate have interrogated LGBTQ+ activists about their work, intimidated them with threats of violence, arrest, and prosecution, and forced activists to shut down their organizations.
Some activists have been kidnapped without legal cause and interrogated overnight.
Other tactics have included smearing activists online based on their sexual orientation and deploying other social media users to out activists online and incite violence against them.
In addition to interviewing 13 LGBTQ+ rights activists and others associated with the Jordanian LGBTQ+ community, HRW reviewed statements by government officials, nongovernmental organizations, and individuals, as well as visual media provided by activists documenting incidents of online harassment against them in public social media posts.
One victim, the director of an unnamed LGBTQ+ center, says he was forced into a car by authorities and interrogated overnight. GID agents called his parents and outed him, he said. Others detailed the forced cancellation of events in Amman, the Jordanian capital, and multiple instances of online harassment.
All of the activists targeted described the intimidation as a serial effort, with each of them summoned for interrogation multiple times. Three of the activists described interrogations by the governor of Amman, who interviewed them after they preemptively canceled the screening of a film depicting gay men.
Two organizations’ directors said they were forced to shut down their offices and flee the country following official intimidation.
“We arrived in a foreign country without any plan or support,” said one organization leader who fled with his boyfriend. “We had no choice. Since I fled Jordan, I consistently wake up screaming in terror. It has been the hardest experience I have ever been through.”
One LGBTQ+ activist who has remained in Jordan described her current reality: “Merely existing in Amman has become terrifying.”
As Republican-led legislatures have limited or banned access to gender-affirming care for trans people across the country, states like New Mexico are witnessing a large influx of “gender refugees” seeking healthcare.
Over the past two-plus years, nearly two dozen states have instituted limits or bans on gender-affirming health care for trans youth and adults. While trans people in red states seek out alternative sources of care and places to live, larger states and metropolitan areas like San Francisco and New York can prove prohibitively expensive.
So smaller states like New Mexico, Minnesota, Colorado, Vermont, and Washington, with prohibitions on restricting gender-affirming health care and a lower cost of living, are attracting a crush of trans patients seeking care.
They’re being met with waiting lists.
“I feel really excited and proud to be here in New Mexico, where it’s such a strong stance and such a strong refuge state,” Molly McClain, a family medicine physician and medical director of the Deseo clinic, which serves transgender youth at the University of New Mexico Hospital, told CBS News. “And I also don’t think that that translates to having a lot more care available.”
The strain is affecting new patients and longtime New Mexico residents, as well.
“With the influx of gender refugees, wait times have increased to the point that my doctor and I have planned on bi-yearly exams,” said Felix Wallace, a 30-year-old trans man and longtime resident.
Anne Withrow, a 73-year-old trans woman and Albuquerque resident for over 50 years, sought care from a new provider at the University of New Mexico after her doctor retired.
“They said, ‘We have a waiting list.’ A year later they still had a waiting list.”
A year after that, Withrow managed to get care from a local community-based health center.
As of October, UNM’s Truman Health Services clinic still wasn’t taking new patients.
At the Transgender Resource Center of New Mexico, T. Michael Trimm says the center used to field two or three calls a month from people out-of-state considering a move.
“It has steadily increased to a pace of one or two a week,” he said.
“We’ve had folks from as far away as Florida and Kentucky and West Virginia,” as well as families in Texas “looking to commute here for care, which is a whole other can of worms, trying to access care that’s legal here, but illegal where they live.”
In New Mexico, the problem is compounded by a physician shortage.
A 2022 report revealed New Mexico lost a staggering 30% of its physicians in the previous four years. The state is on track to have the second-largest physician shortage in the country by 2030, with the oldest physician workforce.
Despite the obstacles, Trimm says “trans folks can be very resilient.”
While a waitlist isn’t ideal, he says it’s easier to endure “than the idea that you maybe could never get the care.”
The Christian anti-LGBTQ+ legal advocacy group Alliance Defending Freedom (ADF) — defined as a hate group by the Southern Poverty Law Center — is hoping the U.S. Supreme Court will overturn state bans on so-called conversion therapy for minors. Though the court hasn’t agreed to take on the case just yet, it provide insight into how ADF plans on challenging more conversion therapy bans in the future.
The ADF is providing legal counsel to licensed marriage and family counselor Brian Tingley in Tingley v. Ferguson, a legal challenge to Washington state’s ban. Tingley says the ban violates his rights to free speech and free exercise of religion, The New Republic reported.
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Tingley’s petition to the court says that his speech as a therapist should be considered as “speech” and not professional “conduct.” He said he “lives in continuous fear of government persecution” because the ban “forbids him from speaking, treating his professional license as a license for government censorship.” Tingley says he should be able to offer conversion therapy — even though it has been widely disavowed as a form of psychological torture by numerous American mental health organizations — because some kids are actively seeking to change their sexual orientation.
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His case may actually be aided by the 2018 Supreme Court decision National Institute of Family and Life Advocates v. Becerra which said that the government couldn’t “compel” or “regulate” anti-abortion crisis pregnancy centers in California to inform pregnant people about state-funded reproductive health services.
However, Georgia State University law professor Anthony Michael Kreis told the aforementioned publication that the cases are different. Bans on conversion therapy aren’t trying to force Tingley and other therapists to say things they don’t want to say, Kreis argues. Rather, he reasons, state bans are trying to prevent medical conduct from resulting in “tangible harms.”
A 2013 survey showed that 84% of former patients who tried ex-gay therapy said it inflicted lasting shame and emotional harm. Additionally, March 2022 peer-reviewed study from The Trevor Project showed that 13% of LGBTQ+ youth nationwide had reported being subjected to conversion therapy. Of those, 83% were subjected to it before reaching the age of 18. The study showed that young people who underwent conversion therapy were more than twice as likely to attempt suicide afterward. Numerous conversion therapy advocates have later come out as still gay and apologized for the harm that conversion therapy causes.
Furthermore, Kreis notes that the bans provide specific exemptions for “purely religious” speech and also that the government already heavily regulates the professional fields of therapy and healthcare. Thus, the bans are just an extension of that.
Katherine Franke, a law professor at Columbia University, said the ADF will use similar free speech arguments to try and overturn regulations involving professional conduct.
“We have all sorts of regulations for licensed mental health professionals, and the patients rely on this kind of safety that those licensing requirements impose,” she told The New Republic. “Opening the door in this kind of case… opens the door to quite a few other situations where a person may have an objection to what is a public norm or an expert judgment about the safety of other people. It shouldn’t be your private decision that you’re not going to agree with that and therefore [will] not follow that law, when that is a condition of your licensure.”
The methods of so-called conversion therapists include encouraging queer people not to masturbate, redirecting their sexual energy into exercise, “covert aversion” (a fancy name for imagining possible negative consequences of being queer), Bible study, directing same-sex sexual desire onto opposite-sex partners, inflicting pain and humiliation anytime LGBTQ+ feelings arise, and forcing people to act out stereotypical gender roles in behavior and personal appearance.
Twenty-nine U.S. states have either passed full or partial bans on conversion therapy for minors. In three of those states — Alabama, Georgia, and Florida — court injunctions have stopped the bans from going into effect while legal challenges to the bans proceed in court.
If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat at 988lifeline.org. The Trans Lifeline (1-877-565-8860) is staffed by trans people and will not contact law enforcement. The Trevor Project provides a safe, judgement-free place to talk for youth via chat, text (678-678), or phone (1-866-488-7386). Help is available at all three resources in English and Spanish.
Anti-LGBTQ+ House Speaker Mike Johnson (R-LA) didn’t just agree with Justice Clarence Thomas’ suggestion that the Supreme Court should revisit its 2015 decision legalizing same-sex marriage — he applauded it.
The court’s 2022 decision in Dobbs v. Jackson Women’s Health Organizationstruck down Roe v. Wade, ending the constitutional right to abortion in the U.S. In his concurring opinion, Thomas included a footnote asserting thatby striking down the legal basis for Roe, the court had called into question every other decision using the same reasoning.
Thomas went so far as to specifically name the Supreme Court’s decisions in Obergefell v. Hodges and Lawrence v. Texas, the cases that established the legal right to same-sex marriage nationally and struck down anti-sodomy laws, respectively.
The same day that the court released its Dobbs decision in June 2022, Johnson cheered Thomas’s footnote on conservative pundit Todd Starnes’s radio show.
In an audio recordingresurfaced by CNN this week, Johnson touted his years of experience fighting against same-sex marriage, same-sex adoption, and same-sex marital benefits as a senior attorney for anti-LGBTQ+ hate group Alliance Defending Freedom (ADF) prior to being elected to public office.
“We’ve been sort of working against these activist courts for years,” Johnson said. “I was in those courts for 20 years, in federal court litigating these big cases, religious freedom, pro-life cases before I got elected to Congress in 2016.”
“There’s been some really bad law made,” Johnson continued. “They’ve made a mess of our jurisprudence in this country for the last, you know, several decades, and maybe some of that needs to be cleaned up.”
“What Justice Thomas is calling for is not radical,” he added. “In fact, it’s the opposite of that, you know? We finally have a majority of originalists on the court, and all that means is that they want to fairly interpret and apply the Constitution as it’s written, as the framers of the Constitution intended. That’s the basis of our whole system of government, and we have to get back to that. And that’s what he stands for, and we applaud that.”
Since taking the speakership late last month after weeks of Republican infighting, Johnson’s anti-LGBTQ+ beliefs and extensive history of opposing LGBTQ+ rights have come under scrutiny alongside his key role in efforts to overturn the results of the 2020 election.
In addition to his work for the ADF, which included work for a now-defunct anti-LGBTQ+ Christian group that promoted so-called “conversion therapy,” he wrote several editorials in the early 2000s criticizing the Supreme Court for striking down anti-sodomy laws. His editorials also opposed same-sex marriage and argued against non-discrimination protections for LGBTQ+ people.